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This paper examines the 2014 Telugu thriller Drushyam , directed by Sripriya and starring Venkatesh, as a cultural artifact that interrogates the boundaries between justice and legality. Through a close reading of the film’s narrative structure and ethical dilemmas, the paper explores how the protagonist’s manipulation of evidence challenges conventional notions of truth in Indian cinema. Drawing on legal theory and cinematic realism, the study argues that Drushyam redefines the "ideal citizen" as one who prioritizes familial loyalty over institutional justice, reflecting broader anxieties within middle-class Indian society.